Chen Che doesn't know who his father was and the topic is a taboo in the Chen family. When an accident threw him back to 1989, a year before he was born, he gets a chance to find out himself. Before he could locate his mother, he first meets her best friend, Ye Zhen Zhen, a wholesome girl who helps him navigate the past while he helps her land big clients with his expert knowledge of stock market trend. Through her, he gets to know his younger, happier "mom" and the possible candidates for his father. He soon learns the reason his mother never talks about his father, and he is faced with a dilemma: He must choose between his mother's future and his very existence.
Runtime: 90 minutes
Back to 1989 - Back to the Future Part III - Netflix
Back to the Future Part III is a 1990 American science fiction Western comedy film and the third and final installment of the Back to the Future trilogy. The film was directed by Robert Zemeckis, and stars Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Thomas F. Wilson and Lea Thompson. The film continues immediately following Back to the Future Part II (1989); while stranded in 1955 during his time travel adventures, Marty McFly (Fox) discovers that his friend Dr. Emmett “Doc” Brown, trapped in 1885, was killed by Biff Tannen's great-grandfather Buford. Marty travels to 1885 to rescue Doc. Back to the Future Part III was filmed in California and Arizona, and was produced on a $40 million budget back-to-back with Part II. Part III was released in the United States on May 25, 1990, six months after the previous installment. Part III earned $244.5 million worldwide, making it the sixth-highest-grossing film of 1990.
Back to 1989 - Production - Netflix
The origins of the western theme for Back to the Future Part III lie in the production of the original film. During filming for the original, director Zemeckis asked Michael J. Fox what time period he would like to see. Fox replied that he wanted to visit the Old West and meet cowboys. Zemeckis and writer/producer Bob Gale were intrigued by the idea, but held it off until Part III. Rather than use existing sets, the filmmakers built the 1885 Hill Valley from scratch. The western scenes were filmed on location in Monument Valley. Some of the location shooting for the 1885 Hill Valley was done in Jamestown, California, and on a purpose-built set at the Red Hills Ranch near Sonora, California. Some of the train scenes were filmed at Railtown 1897 State Historic Park, a heritage line in Jamestown. Whereas the original film played to a more materialistic idea of success, Zemeckis considered Part III more of a “human journey” with spiritual overtones. The shooting of the Back to the Future sequels, which were shot back-to-back throughout 1989, reunited much of the crew of the original. The films were shot over the course of 11 months, save for a three-week hiatus between filming of Parts II and III. The most grueling part was editing Part II while filming Part III, and Zemeckis bore the brunt of the process over a three-week period. While Zemeckis was shooting most of the train sequences in Sonora, Gale was in Los Angeles supervising the final dub of Part II. Zemeckis would wrap photography and board a private plane to Burbank, where Gale and engineers would greet him on the dubbing stage with dinner. He would oversee the reels completed that day, and make changes where needed. Afterwards, he would retire to the Sheraton Universal Hotel for the night. The following morning, Zemeckis would drive to the Burbank Airport, board a flight back to the set in Northern California, and continue to shoot the film. Although the schedule for most of the personnel involved was grueling, the actors found the remote location for Part III relaxing, compared to shooting its predecessor. The role of Clara Clayton was written with Mary Steenburgen in mind. When she received the script, however, she was reluctant to commit to the film until her kids, who loved the original, 'hounded' her. Lloyd shared his first on-screen kiss with Steenburgen in Part III. The Hill Valley Festival Dance scene proved to be the most dangerous for Lloyd and Steenburgen; overzealous dancing left Steenburgen with a torn ligament in her foot. The film also starred veteran western film actors Pat Buttram, Harry Carey, Jr., and Dub Taylor, as three “saloon old timers”. Buttram was also known to younger audiences for his extensive voice work, particularly as the Sheriff of Nottingham in the Disney version of Robin Hood. The inclusion of these noticeable Western actors was promoted in several documentaries about the film as well as the behind-the-scenes documentary of the DVD and in the obituary of one of the actors. The musicians of the Old West–style band in the film were played by ZZ Top. Shooting a film set in the Old West was appealing to the stuntmen, who were all experienced horse riders. “We had every great stuntman in Hollywood wanting to work on Part III,” recalled Gale in 2002. Thomas F. Wilson, who played Buford Tannen, chose to perform his own stunts and spent a great deal of time learning to ride a horse and throw his lariat. Filming was halted when Michael J. Fox's father died and when his son was born. Alan Silvestri, through his longtime collaboration with Zemeckis, returned to compose the score for Back to the Future Part III. Rather than dictate how the music should sound, Zemeckis directed Silvestri as he would an actor, seeking to evoke emotion and treating every piece of music like a character. The photography in Part III was a “dream” for cinematographer Dean Cundey, who agreed with much of the crew in his excitement to shoot a western. The filmmakers sought a bright, colorful picture for each scene, with a hint of sepia tone in certain shots. Zemeckis wished to create a spectacular climax to the film. He coordinated the actors, a live 4-6-0 ten wheeler steam locomotive, pyrotechnics, and special effects, and countless technicians all at once. As they had done with the previous two films in the trilogy, the visual effects for Part III were managed by effects company Industrial Light & Magic; the head of its animation department, Wes Takahashi, returned to once again animate the DeLorean's time travel sequences.
Back to 1989 - References - Netflix